Komal Gandhar

Komal Gandhar Bengali Kmal Gndhr, also known as A Soft Note on a Sharp Scale, is a 1961 Bengali film written and directed by noted film maker Ritwik Ghatak. The title refers to the Hindustani equivalent of Eflat. It was part of the trilogy, Meghe Dhaka Tara 1960, Komal Gandhar, and Subarnarekha 1962, all dealing with the aftermath of the Partition of India in 1947 and the refugees coping with it, though this was the most optimistic film of his oeuvre. The film explores three themes juxtaposed in the narrative, the dilemma of Anusuya, the lead character, divided leadership of IPTA and the fallout of the partition of India.

Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and classstruggle. Unlike his other films, this one runs along an upbeat mood with the lead pair of lovers Vrigu and Anusua being reunited.Music was by Jyotirindra Moitra, from IPTA, and a noted Rabindra Sangeet exponent who had previously given music in Ghataks Meghe Dhaka Tara 1960, and had song by singers like, Bijon Bhattacharya, Debabrata Biswas, Hemanga Biswas. Bahadur Khan played sarod in the soundtrack. The film is noted for its wedding songs and also contrapuntal use of sound. ........

Source: Wikipedia